Six poems by Matheus Guménin Barreto – Brazilian Poetry – 7.3.2022

(Fonte: https://www.brazilianpoetry.com/2022/03/matheus-gumenin-barreto-biography-and.html )

 

Matheus Guménin Barreto (1992) is a poet and translator. He is currently a Ph.D. student in German Language and Literature at University of São Paulo (USP) with university exchanges at University of Heidelberg, at University of Leipzig and at University of Salzburg. He published the following collections of poems: A máquina de carregar nadas (2017), Poemas em torno do chão & Primeiros poemas (2018) and Mesmo que seja noite (2020). A new book will be published in 2022. His poems were translated into English, Spanish, German and Catalan. He joined Printemps Littéraire Brésilien 2018 in France and Belgium at the invitation of Sorbonne University. His translation works include poems and prose excerpts from Bertolt Brecht, Elfriede Jelinek, Ingeborg Bachmann, Johann Wolfgang von Goethe, Johannes Bobrowski, Nelly Sachs, Paul Celan, Peter Waterhouse, Rainer Maria Rilke and others.

The poem “[is it lawful a poem]” (translated by Rubens Chinali) was first published in Contemporary Brazilian Poetry (2020).

 

***

 

Poems to be whispered

And at that night she was alone

like the linen they forgot to weave.

 

(translated by Caio Cesar Esteves de Souza)

 

***

 

Extreme poem

Take in the hand the stone

take in the hand the chair

take in the hand the bread

table ladder glass of water

take it

pull it aside

and uncover the poetry

 

there.

 

(translated by Caio Cesar Esteves de Souza)

 

***

 

First

The very touching the things

to remind the hands of the

clean architecture of that

which the world has conceived.

 

The clean, cartesian, straight hand

through the things

to take the dust off the names

 

sun, cup, peel, tile, peach, misery

 

and touch once again

as in the First Day

something in the names

that vibrates.

 

(translated by Caio Cesar Esteves de Souza)

 

***

 

The null poet/m

when hutus slaughtered tutsis

when hutus slaughtered tutsis

when hutus slaughtered tutsis

when tutsis slaughtered tutsis

 

.

 

and when the poet writes

[when tutsis slaughtered tutsis

peccancy

peccancy

for the peccancy for the pecc-

ancy

peccan/cy

peccancy of not knowing what are tutsis

tutsis what are they

what are tutsis

who are

hutus

what

slaughtered

tutsis

and look for where is Rwanda

Rwanda ¿

and weeps for not knowing where it is

where is it

slaughtered tutsis

Rwanda

 

– most of them struck by machetes.

 

(translated by Caio Cesar Esteves de Souza)

 

***

 

is it lawful a poem where echo the footsteps

of a single man or of his shadow the footsteps?

is it lawful a poem of some bare, clean feet on an

even cleaner courtyard? lawful

that water not yet convex from touches or

mirrored faces other than a single face, that this water

remains?

echoes, footsteps, shadows, bare feet, touches?

is it lawful that there is? is it lawful that there is such a rare word:

lawful?

 

is it lawful that there is what is there in verses

like these

if shootings pierce the skin of a mother of a father of a child and of one who wasn’t born and won’t be born in some dark corner of this country that I don’t even deign to know while I write a poem about writing a poem about a .38 caliber revolver that decides to cancel time?

 

(translated by Rubens Chinali)

 

***

 

Canis lupus familiaris 

you fucking pain in the ass

barking at dead of night in pursuit of a face

 

you will not find your face

neither today nor tomorrow

 

dear

sister

 

(translated by Matheus Guménin Barreto)

Um poema de Matheus Guménin Barreto – Revista Devaneio nº 9 / Portugal – 4.2022

(Fonte: https://linktr.ee/revistadevaneio )

 

Matheus Guménin Barreto é poeta e tradutor brasileiro (1992, Cuiabá). É autor de A máquina de carregar nadas (7Letras, 2017), Poemas em torno do chão & Primeiros poemas (Carlini & Caniato, 2018) e Mesmo que seja noite (Corsário-Satã, 2020). Doutorando da Universidade de São Paulo (USP) e da Universidade de Leipzig na área de Língua e Literatura Alemãs, estudou também na Universidade de Heidelberg. Teve poemas seus traduzidos para o inglês, o espanhol, o alemão e o catalão; publicados em revistas no Brasil, na Espanha, no México e em Portugal; e integrou o Printemps Littéraire Brésilien 2018 na França e na Bélgica a convite da Universidade Sorbonne. Traduziu Bertolt Brecht, Ingeborg Bachmann, Johannes Bobrowski, Nelly Sachs, Paul Celan, Peter Waterhouse, Rainer Maria Rilke e outros.

“[Aquilo que me sou não me é nunca]” integra Poemas em torno do chão & Primeiros poemas.

 

***

 

Aquilo que me sou não me é nunca.

Pensando o que serei no escasso espaço

de mim, não sei se penso e sou aquilo

ou se, pensando, passa o tempo e passo

 

– se passo e já não sou o que pensara,

nem o que penso agora e que já passa.

Não sei se algum momento embosco aquele

que busco ou se descubro-me sua caça.